ETHNOMUSICOLOGY
PAPERS:
Roger Blench
|
Date |
Title |
Status |
|
2020 |
The history and distribution of the free-reed
mouth-organ in SE Asia. In: EurASEAA 14, Dublin 2012, proceedings.
Volume I. Helen Lewis ed.
94-110. Oxford: Archaeopress. |
Published |
|
2014 |
Using Diverse Sources of Evidence for Reconstructing the
Past History of Musical Exchanges in the Indian Ocean. African
Archaeological Review, 31(4):
675-703. |
Published |
|
2014 |
Campos, F. and
Blench, R.M. Heterochord Board and Strip Zithers in the Cordillera, Northern
Philippines. The Galpin Society Journal, 67: 171-180. |
Published |
|
2011 |
with Fredeliza Campos Recording
Oral Literature In A Literate Society: A Case Study From The Northern
Philippines. Language Documentation
and Development, 8: 1-16. |
Published |
|
2008 |
Musical
instruments of South Asian origin depicted on the reliefs at Angkor, Cambodia.
In: From Homo erectus to the Living
traditions. J-P. Pautreau, A-S. Coupey, V. Zeitoun & E. Rambault eds.
239-244. Chiang Mai: Siam Ratana. |
Published |
|
2006 |
From
Vietnamese lithophones to Balinese gamelans: a history of tuned percussion in
the Indo-Pacific region. Bulletin of the Indo-Pacific
Prehistory Association, 26: 48-59. |
Published |
|
2006 |
Musical
instruments and musical practice as markers of the Austronesian expansion
post-Taiwan. Paper
presented at the 18TH CONGRESS OF THE
INDO-PACIFIC PREHISTORY ASSOCIATION UNIVERSITY OF THE PHILIPPINES, MANILA, 20 TO 26 MARCH 2006. Manila Powerpoint |
Unpublished |
|
2004 |
Musical aspects of Austronesian
culture. European Association of Southeast Asian
Archaeologists 10th International Conference, London 14–17 September 2004 |
Unpublished |
|
1982 |
Evidence
of the Indonesian origins of certain elements of African culture: with
special reference to the arguments of A.M. Jones. African music, 6(2):81-93. |
Published |