A day out on the
water
Roger Blench
Journeys with Kay in
At the end of December 2002,
I went down to
One of Kay’s long-term and
picturesque collaborators was Richard Freeman, who had worked with her since
the days of the Nigerian Civil War. Richard was a speaker of the Olodiama language, and a great source of knowledge about
the Delta. He produced a vast, rambling manuscript on the fisheries of the
Delta which we spent many years trying to publish. But he also a poet and short
story writer and someone for whom dreams were very
real. He would disappear for weeks at a time and once returned with a tale of
kidnap by cannibals. Kay was assisting him to build a house in his village,
though it later turned out that this structure was largely science fiction and
the hopeful photographs with which he reassured her were actually someone
else’s house in another place. Richard also had the most complex domestic
affairs and, through the agency of his multiple wives and others, contracted
AIDS and died in 2001. Richard’s village, Ikebiri,
was inaccessible, and Kay had always nurtured an ambition to see his grave.
So we were delighted to
receive the following invitation from Samuel Gabon to visit Ikebiri,
to attend the following rather unusual proceedings and talk to Richard’s
family.
We made out way by car to Yenagoa, in
After a couple of hours, we
turned off into a side-channel and reached calmer waters, where not all the
trees had been taken out and the occasional bird ventured to the waterside.
There were no other power-boats and the whole region was more like the Delta I
remembered from earlier trips, a tranquil if humid place. We eventually reached
Ikebiri, our whole bodies buzzing with the vibration
of the outboard, and tied up at the main jetty which was sloping into the water
in an alarming way. The village is a long thin strip of wooden and cement
houses along the edge of the water, which is lined with canoes and fish-traps.
These settlements are very cut off, no water, electricity or telephones and
unless you have a fast boat, very remote from services such as clinics. There
are few tiny shops selling washing-powder, tomato paste and Robb vapour rub,
those commodities without which Nigerian life could not go forward.
As it turned out, there was
some dispute about the festival and part of the village told us they
disapproved and would not be attending. As the start was delayed, we made a
visit to Richard’s grave (a cement slab next to his family house) and saw the
actual building that Kay had lent money to build, so different from the one in
the photographs.
The festival itself was a
curiosity. Its author had set up a large framework covered in cloth, and hung
on it a hugely miscellaneous variety of objects including plastic machine guns,
cloths and other items. In front of it was desk, sporting a disconnected
telephone which the Master of Ceremonies consulted at regular intervals. The
old woman did not appear to tell her story and Late Major Isaac Boro did not greet us. The performers were in fact
schoolboys motivated by the chance to dress up and march around,
playing ‘bush football’ and dancing in lines, marshalled by Samuel Gabon like
an old style scoutmaster. It was hard to link the items on the programme with
what we saw, and in the event
we were thankful that ‘shooting round the town’ did not take
place. In the event, a crowd drifted up drawn by the strange spectacle of two
white people taking seriously what appeared to them as the slightly mad
activities of someone marginal to the
community.
Watching the sky darken and
thinking of the ride back, I urged Kay to leave but her sense of politeness
meant that we stayed until the dancing was announced. Suddenly, everyone
thought that it was now time to greet us seriously and as we went back to the
boat, we were stopped and engaged with the usual pleasantries. Further delays
meant that when we finally set off the night met us about an hour from Yenagoa. These boats have no lights, and yet they continue
to ply the main channel. This meant that you had to judge the direction and
path of other boats by ear until they were really close; the whole experience
reminded me of being on a pier-end driving machine with no second chances if
you run off the road. Kay, of course, was completely unfazed, sitting in the
centre of the boat, having higher thoughts about Ijọ sentence structure. We made it safely back with a
due sense of fitness as having finally made the visit to the grave; but with my
feeling that I would rather go hang-gliding off Everest than experience this
again.
This was a visit to a place
she had never been, but Kay’s ‘own’ village was Kaiama,
about an hour’s drive east of Port Harcourt, and she had built a house there
with a plan to retire and pursue a Confucian life of disinterested scholarship.
I always thought this was unlikely to happen, because she was too attached to
the buzz of life on the campus. But Kaiama was always
entertaining to visit, no more so than when we attended the coronation of the
King of the Kolokuma people, Kala-Okun
III, a post which has gradually been growing in splendour.
Tony Blair and his
imperceptive cohorts are always trying to ‘modernise’ the monarchy, complaining
of the tedious rituals and the strange clothes worn by Black Rod or Her
Majesty. But Nigerians are astute watchers of these ceremonies and find much to
imitate and indeed expand upon. Apart from the obligatory cultural dancing and
lengthy speeches, the key events were the attendance of the many sub-chiefs and
reverends or self-appointed bishops of unusual churches. The bowler hat is the
most-favoured headgear in this region, although trilbies and toppers are also
popular. But the dull colours Europeans use hardly appeal, so the hats are
often spiced up with glitter or picked out in green and red. Bishops in
particular have a licence to design their own robes and crosiers and their
creations would put Giovanni Versace to shame, rippling in gold and silver. The
women wear enormous head-ties, gold and red, whirling up on their heads like
cones of Italian ice-cream. As Kay was a long-term resident of the village we
were placed on the stage, behind the throne, which was a three-times
normal size chair. It was as if we were trapped in those old films where the
humans shrink and wander amazed among gigantic furniture. We sipped fruit
champagne and gazed as old women came with sacks of banknotes and threw them at
the future king, uttering shrill cries of praise.
I was only an occasional
visitor to the Delta, but Kay lived in multi-coloured world all the time. I am
sorry I’ll no longer have the window on this very different world that she
inhabited.